Since first being introduced to the classics as an undergraduate I have found an overwhelming fondness and appreciation for the Greek and Roman civilizations. I regretfully say this, because I failed to read them at an earlier age. Nonetheless, I am always amazed with the knowledge and technological advancements antiquity possessed.
My favorite playwright Euripides has often led me to question and want to understand the role of women in antiquity, not to mention his attitude toward women. His tragic play, Medea, probably at best gives 21st century readers a glimpse of what life must have been for women. Aside from understanding the life of women, I find myself asking the “big questions”. Did Euripides write Medea as a feminist supporter or a misogynist? Did he feel sympathy for the lives women endured, or did he despise them for unknown reasons? Why does Euripides lead us to feel sorrow for the protagonist and then transform our feelings of empathy for repudiation and condemnation when she becomes the antagonist? In my mind, I see words and papers floating everywhere with a repetitive question; “Why?” In the end, I am fascinated and inundated with curiosity to learn more about antiquity.
Reading Nicholas Mann’s The Origins of Humanism brought to my attention the period modern thinkers term as the “Dark Ages”. So it seems this period wasn’t so dark after all. Mann’s explanation on the origins of humanism describes men like Petrarch and Boccaccio incessantly searching for manuscripts and any evidence or clues that could be linked to the ancient civilizations. Although, the medical and scientific fields did not advance for reasons of what we are familiar classic literature flourished and mostly thanks to the work of these two men. Not only was Petrarch able to find new manuscripts, but he also managed to rectify incorrect interpretations as he did in Aeneas.
Nicolas Mann states, “The more we learn about the period following the decline of Rome, the less dark and uncultured it appears; the more we inquire into what was reborn in the fourteenth and fifteenth centuries, the more we become aware of vital continuities with the past.” Mann’s statement reminds me that somehow we cannot get away from that cyclical pattern man so desperately tries to avoid, but in an optimistic sense society certainly tries to learn and improve from the past.
Although I have much more to learn about the history of humanism, Nicolas Mann has presented an interesting account. I know that, as many others, I am very grateful for the rediscovery of the Greek tragedies during the “Dark Ages”.
February 3, 2007 at 5:55 am
I am also inspired to find out more about the “Dark Ages” after reading about Humanism. I have also found it fascinating that at least some women stood out as scholars in those times, too, albeit, in most cases, due to advantages afforded them by their social standing.
February 5, 2007 at 12:22 am
Hi, I have questions for you: Why do you like those tragedies? Is it that you can identify with their characters? How have they influenced your life?
Nice Page!
Take care!
VJ
February 6, 2007 at 10:49 pm
VJ, you asked me why I find the tragedy, Medea, or tragedies so fascinating? This is a women that did not accept her fate. She was determined to fight back. I grant you that I disagree with the way she did it, but its nice to see a women who would challange authority.
I like to think I can identify with Medea in the manner that she is determined to get what she wants. People should not settle, I like to think of myself as someone who strives to reach her goals.
Thanks, for your comments.
citlali
February 27, 2007 at 3:04 pm
Hey “Medea”
I’m so sorry I didn’t remember asking you this question. I guess the reason is that the answer did not come directly to me. Anyway, I wish I had read the book myself; I would have better appreciated your answer and reasons for identifying with this character. Are you talking about fighting to change things in society or just working hard to get through with your degree for example? Anyway, you look like a tough kind of person(compliment). Would you also identify with the CHE? I think I like the Marti type you know, not Dario. Marti, for his committment to the people. A poet, if he is gifted, should not separate himself from the people; he should be the voice of the voiceless. I thought the modernistas hated materialism because it encourages the exploitation of the people and other cultures, but it looks like they saw materialism as an obstacle to the expansion of their Art for Art stuff. Is that right?